33 of my favorite songs from 2020, hand-mixed in an unranked fashion.
Are these the best songs from 2020? Likely not, but personally these are the tracks that most captured a mood, a time, a production tactic, or a hook that I couldn’t shake for days. In what was an undoubtedly miserable year, there was an abundance of quality music.
I didn’t know much about Becca Mancari prior to hearing this single, but damn if this ain’t straight ear crack. This has been my non-stop ear worm loop the past three weeks.
Cate Le Bon is likely one of the most daring and singular art-rock-pop musicians from the past decade. From 2009’s freak folk Me Oh My through to last year’s epic Reward, her sound has been centered around an increasing clash between dissonant angular forces and killer melodies. An absolute master of the super-treble-attack guitar shred, she has consistently delivered hypnotic live shows that have made her a favorite to see live in The Time Before Covid.
Earlier this year she released an E.P. that radically deconstructs a handful of tracks from her Reward album in conjunction with ambient duo Group Listening. The results are drastic in their difference from the source material, rebuilding each arrangement entirely from scratch and two containing new vocals from UK vocalist Ed Dowie. It’s a bold and creative affair. My favorite take is the new spin on the track “Magnificent Gestures.” The original version (embedded below) is a herky-jerky stomper, while the new creation (linked above) shifts the beat and melodic sequence into a four-on-the-floor crazy-man carnival loop. There’s no singing from Le Bon on this new release, but Dowie’s deadpan reinterpretations provide a relaxed vibe that differ from Cate’s siren skronk calls. The collaboration on display here – as also shown on last year’s tag team with Deerhunter’s Bradford Cox – is inspiring in her willingness to hand control over to others to interpret the material as their own, yet still providing her producer’s hat to keep the boundaries within her sensibilities.
Both tracks are the definition of incessant, but in the best of ways.
Old stalwarts, childhood heroes, and serious wizards reminisce on their greatest spells.
Sept 9, 2019, in The Time Before Covid, I went to see the Swedish pop outfit Hater at the Rickshaw Stop, but it was the opening act Sonoda from L.A. that was the highlight of the evening. They held the entire crowd rapt in their palm from the opening chiming notes spawned from meditation bowls through to closing with a Stereolab cover. Dreamy, slightly detached cool. Exploring their existing catalog provided a heady expanse of quiet lo-fi synth pop, with a decidedly 60’s new-wave bent.
They’ve recently released a three song short film featuring live performances and ambient scenes titled Here We Are Now. It’s earnest, lovely and weird.
Here’s some entries into their catalog:
It’s time to fire back up the Ragle Gumm moniker.