Recent singles that have become stuck in the memory banks…
Impossible not to fall under the spell of this understated and groovy mood on “The Florist” from Abby Sage.
New Hand Habits, “Greatest Weapon,” with an epic chorus: time is the ruler of my hell.
Cate le Bon‘s latest is dark and cracked. Singular and consistent.
Funky fuzzed production on the new Laundromat track. There’s cowbell.
Guilty pleasure pop of the month: Gretel Hanlyn.
Cate Le Bon is likely one of the most daring and singular art-rock-pop musicians from the past decade. From 2009’s freak folk Me Oh My through to last year’s epic Reward, her sound has been centered around an increasing clash between dissonant angular forces and killer melodies. An absolute master of the super-treble-attack guitar shred, she has consistently delivered hypnotic live shows that have made her a favorite to see live in The Time Before Covid.
Earlier this year she released an E.P. that radically deconstructs a handful of tracks from her Reward album in conjunction with ambient duo Group Listening. The results are drastic in their difference from the source material, rebuilding each arrangement entirely from scratch and two containing new vocals from UK vocalist Ed Dowie. It’s a bold and creative affair. My favorite take is the new spin on the track “Magnificent Gestures.” The original version (embedded below) is a herky-jerky stomper, while the new creation (linked above) shifts the beat and melodic sequence into a four-on-the-floor crazy-man carnival loop. There’s no singing from Le Bon on this new release, but Dowie’s deadpan reinterpretations provide a relaxed vibe that differ from Cate’s siren skronk calls. The collaboration on display here – as also shown on last year’s tag team with Deerhunter’s Bradford Cox – is inspiring in her willingness to hand control over to others to interpret the material as their own, yet still providing her producer’s hat to keep the boundaries within her sensibilities.
Both tracks are the definition of incessant, but in the best of ways.