Tag: music

The Fiery Furnaces – Down at the So and So on Somewhere

It’s been eleven years since we’ve formally heard from the Friedberger siblings in tandem. Today I learned that The Fiery Furnaces released a new single, “Down at the So and So on Somewhere,” this past June. It’s easy to see why it didn’t make any big waves. Almost as a rebuke to any weighty expectations and counter to their past complex arrangements, this track is more like an extended singular strutting musical sketch over which Eleanor spits mad verse:

Trigonometry tutors often go to dance class three times a week

I can picture powder blue matches in the mirrors

You check your time warp watch in the car

While it’s admittedly lightweight and exhibits the best of their humorous side, the internal hype in me desired something a bit more meaty – but it’s good to have them back to rekindle their unique brand of fractured pop. Their records are dense, strange, and chock full of killer hooks.

Crack Cloud – Live Leak

cover image of Crack Cloud - Live Leak

My current favorite post-punks, Crack Cloud, have a new live album out on Bandcamp. Comprised of takes from two 2019 sessions at KXLU radio in L.A. and BBC 6 in London, they cover a span of material from their two prior EPs and this past July’s excellent Pain Olympics. It’s far more raw in production and rocking than any of the studio recordings, with a significant bpm increase and a firmer leaning into the punk side of the equation. That revved up added muscle tends to obliterate any of the more nuanced melodic side that is present in some of the studio versions of these songs – enough so that this may not be the best entry point for new listeners – but combined with their incredible host of YouTube material and live clips, it firmly cements them as the one act that I’d most like to see in person when that time arrives again.

https://crackcloud.bandcamp.com/album/live-leak

SAULT – Untitled (Rise)

For the second time this year, the mysterious SAULT collective have released an album that is consistently incredible, front to back (they pulled off the same double threat in 2019 as well). Post-funk, with a heavy dose of Nile Rodgers + afro beat styles + a fierce political edge. This is music for right now.